Folman and Polonsky’s greatest missed opportunity, however, is their representation of Anne. As readers have been aware since the Definitive Edition appeared more than 20 years ago, the “Diary” as we know it, despite its misleading title, isn’t a literal diary. In spring 1944, the inhabitants of the Annex heard a radio broadcast in which a Dutch cabinet minister called for citizens to preserve their diaries and letters as a record of the war years — a moment depicted in the graphic adaptation. Afterward, Anne began to revise what she had written for eventual publication as an autobiographical novel, working at the furious rate of up to a dozen pages a day. She rewrote and standardized early entries and also created new ones to fill in gaps in her story, such as the history of her family. What we have come to think of as Anne’s diary, as Francine Prose and others have written, would be more accurately described as a memoir in the form of diary entries. But myths die slow deaths, and most readers still aren’t aware of the complexities behind the book’s creation.
Mengele was born on 16 March 1911 to Walburga (née Hupfauer) and Karl Mengele in Günzburg, Bavaria, Germany. He was the oldest of three children; his two younger brothers were Karl Jr. and Alois. Their father was founder of the Karl Mengele & Sons company, producers of farm machinery. Josef was successful at school and developed an interest in music, art, and skiing. He completed high school in April 1930 and went on to study philosophy in Munich, where the headquarters of the Nazi Party were located. In 1931, Mengele joined the Stahlhelm, Bund der Frontsoldaten, a paramilitary organization that was absorbed into the Nazi Sturmabteilung (Storm Detachment; SA) in 1934.