Anti-Jewish measures were introduced in Slovakia, which would later deport its Jews to German concentration and extermination camps. Bulgaria introduced anti-Jewish measures in 1940 and 1941, including the requirement to wear a yellow star, the banning of mixed marriages, and the loss of property. Bulgaria annexed Thrace and Macedonia, and in February 1943 agreed to deport 20,000 Jews to Treblinka; all 11,000 Jews from the annexed territories were sent to their deaths, and plans were made to deport an additional 6,000–8,000 Bulgarian Jews from Sofia to meet the quota. When the plans became public, the Orthodox Church and many Bulgarians protested, and King Boris III canceled the deportation of Jews native to Bulgaria. Instead, they were expelled to the interior pending further decision. Although Hungary expelled Jews who were not citizens from its newly annexed lands in 1941, it did not deport most of its Jews until the German invasion of Hungary in March 1944. Between 15 May and 9 July 1944, 440,000 Hungarian Jews were deported to Auschwitz. In late 1944 in Budapest, nearly 80,000 Jews were killed by the Hungarian Arrow Cross battalions.
It may be, though, that a new production, even now, and even with cautious additions, will be heard in the play’s original voice. It was always a voice of good will; it meant, as we say, well—and, financially, it certainly did well. But it was Broadway’s style of good will, and that, at least for Meyer Levin, had the scent of ill. For him, and signally for Bloomgarden and Kanin, the most sensitive point—the focus of trouble—lay in the ancient dispute between the particular and the universal. All that was a distraction from the heart of the matter: in a drama about hiding, evil was hidden. And if the play remains essentially as the Hacketts wrote it, the likelihood is that Anne Frank’s real history will hardly prevail over what was experienced, forty years ago, as history transcended, ennobled, rarefied. The first hint is already in the air, puffed by the play’s young lead: It’s funny, it’s hopeful, and she’s a happy person.
Otto Frank was merely an accessory to the transformation of the diary from one kind of witness to another kind: from the painfully revealing to the partially concealing. If Anne Frank has been made into what we nowadays call an “icon,” it is because of the Pulitzer Prize-winning play derived from the diary—a play that rapidly achieved worldwide popularity, and framed the legend even the newest generation has come to believe in. Adapted by Albert Hackett and Frances Goodrich, a Hollywood husband-and-wife screenwriting team, the theatricalized version opened on Broadway in 1955, ten years after the end of the war, and its portrayal of the “funny, hopeful, happy” Anne continues to reverberate, not only in how the diary is construed but in how the Holocaust itself is understood. The play was a work born in controversy, destined to roil on and on in rancor and litigation. Its tangle of contending lawyers finally came to resemble nothing so much as the knotted imbroglio of Jarndyce vs. Jarndyce, the unending court case of “Bleak House.” Many of the chief figures in the protracted conflict over the Hacketts’ play have by now left the scene, but the principal issues, far from fading away, have, after so many decades, intensified. Whatever the ramifications of these issues, whatever perspectives they illumine or defy, the central question stands fast: Who owns Anne Frank?
Freund and his colleagues, including Harry Jol, a professor of geology and anthropology from the University of Wisconsin, Eau Claire, and Philip Reeder, a geoscientist and mapping expert from Duquesne University, in Pittsburgh, were brought in to explore further. They spent five days scanning the ground beneath the school and the surrounding landscape with ground-penetrating radar, and emerged with a detailed digital map that displayed not just the synagogue’s main altar and seating area but also a separate building that held a bathhouse containing two mikvaot, or ceremonial baths, a well for water and several latrines. Afterward, Freund met with the staff at the Vilna Gaon Jewish State Museum, named after the famed 18th-century Talmudic scholar from Vilnius, and a partner on the Great Synagogue project. Then, Freund said, “We asked them: ‘What else would you like us to do? We’ll do it for free.’”
German officers raided the building and made arrests on August 4, 1944. The arresting officer, Karl Silberbauer, later said he vividly remembered arresting the Franks, and even told Otto Frank, “What a lovely daughter you have.” When Silberbauer’s actions were discovered in 1963, he was suspended from his job at the Viennese police force. He is quoted as saying, “Why pick on me after all these years? I only did my duty. Now I am suspended and I have just bought some new furniture and how am I going to pay for it?" After an investigation, he was allowed to return to his job.
On 19 October 1943, five days after the prisoner revolt in Sobibór, Operation Reinhard was terminated by Odilo Globocnik on behalf of Himmler. The camps responsible for the killing of nearly 2,700,000 Jews were soon closed. Bełżec, Sobibór, and Treblinka were dismantled and ploughed over before spring. The operation was followed by the single largest German massacre of Jews in the entire war carried out on 3 November 1943; with approximately 43,000 prisoners shot one-by-one simultaneously in three nearby locations by the Reserve Police Battalion 101 hand-in-hand with the Trawniki men from Ukraine. Auschwitz alone had enough capacity to fulfill the Nazis' remaining extermination needs.
Josef Mengele (/ˈmɛŋɡələ/; German: [ˈmɛŋələ]; 16 March 1911 – 7 February 1979) was a German Schutzstaffel (SS) officer and physician in Auschwitz concentration camp during World War II. He performed deadly human experiments on prisoners and was a member of the team of doctors who selected victims to be killed in the gas chambers. Arrivals that were judged able to work were admitted into the camp, while those deemed unsuitable for labor were sent to the gas chambers to be killed. With Red Army troops sweeping through Poland, Mengele was transferred 280 kilometers (170 mi) from Auschwitz to the Gross-Rosen concentration camp on 17 January 1945, just ten days before the arrival of the Soviet forces at Auschwitz. After the war, he fled to South America where he evaded capture for the rest of his life.