To concentrate and monitor the Jewish population as well as to facilitate later deportation of the Jews, the Germans and their collaborators created ghettos, transit camps, and forced-labor camps for Jews during the war years. The German authorities also established numerous forced-labor camps, both in the so-called Greater German Reich and in German-occupied territory, for non-Jews whose labor the Germans sought to exploit.
"He grabbed my arm and turned me around," said Freund, now 82. "I was skinny, already. Thank God I didn't have a pimple on my body, because a pimple was all you needed to be sent to the crematorium." (The gas chambers at Auschwitz were located in the crematorium buildings, so that the bodies could be burned immediately after the victims were gassed.)
Same edition as the one I have read from my local library. This appears to be as fine an edition as you can get, and I have done a fair amount of research on that. This, the "definitive edition" has a lot of material that did not appear in the original one that was edited by Anne's father after the war. It also is on superior paper, with very readable type, and the photos are clearly rendered, compared to the other editions I have had in hand.
At Auschwitz-Birkenau, new arrivals were told to carefully hang their clothing on numbered hooks in the undressing room and were instructed to remember the numbers for later. They were given a piece of soap and taken into the adjacent gas chamber disguised as a large shower room. In place of carbon monoxide, pellets of the commercial pesticide Zyklon-B (prussic acid) were poured into openings located above the chamber upon the cynical SS command - Na, gib ihnen shon zu fressen (All right, give 'em something to chew on). The gas pellets fell into hollow shafts made of perforated sheet metal and vaporized upon contact with air, giving off lethal cyanide fumes inside the chamber which oozed out at floor level then rose up toward the ceiling. Children died first since they were closer to the floor. Pandemonium usually erupted as the bitter almond-like odor of the gas spread upwards with adults climbing on top of each other forming a tangled heap of dead bodies all the way up to the ceiling.
After this night, the German government supported dozens of laws and decrees that took away Jews property and livelihood. By the end of the year, Jews were prohibited from attending school. One billion reichsmarks of Jewish property was seized as collective punishment against the nation’s Jews for the murder of von Rath. Those able to flee the country did. In the year after Kristallnact, more than 100,000 Jews left Germany as the situation deteriorated.
It is the shamelessness of appropriation. Who owns Anne Frank? The children of the world, say the sentimentalists. A case in point is the astonishing correspondence, published in 1995 under the title “Love, Otto,” between Cara Wilson, a Californian born in 1944, and Otto Frank, the father of Anne Frank. Wilson, then twelve-year-old Cara Weiss, was invited by Twentieth Century Fox to audition for the part of Anne in a projected film version of the diary. “I didn’t get the part,” the middle-aged Wilson writes, “but by now I had found a whole new world. Anne Frank’s diary, which I read and reread, spoke to me and my dilemmas, my anxieties, my secret passions. She felt the way I did. . . .I identified so strongly with this eloquent girl of my own age, that I now think I sort of became her in my own mind.” And on what similarities does Wilson rest her acute sense of identification with a hunted child in hiding?
Freund and his colleagues, including Harry Jol, a professor of geology and anthropology from the University of Wisconsin, Eau Claire, and Philip Reeder, a geoscientist and mapping expert from Duquesne University, in Pittsburgh, were brought in to explore further. They spent five days scanning the ground beneath the school and the surrounding landscape with ground-penetrating radar, and emerged with a detailed digital map that displayed not just the synagogue’s main altar and seating area but also a separate building that held a bathhouse containing two mikvaot, or ceremonial baths, a well for water and several latrines. Afterward, Freund met with the staff at the Vilna Gaon Jewish State Museum, named after the famed 18th-century Talmudic scholar from Vilnius, and a partner on the Great Synagogue project. Then, Freund said, “We asked them: ‘What else would you like us to do? We’ll do it for free.’”
Gentiles whose status placed them on the periphery of a community generally had fewer social constraints and a higher level of independence. This sense of independence, in turn, seems to have made many rescuers more likely to act in accordance with their personal values and moral precepts, even when these standards were in opposition to societal norms. Such rescuers were propelled by values connected to self-approval. In interviews, they insisted again and again that they had to be at peace with themselves, with their ideas of what was right or wrong.
Browning wrestles with these and many other related questions in a consistently persuasive and cogent way. He concludes, very sensibly, that it is inconceivable that the Holocaust, unprecedented in history and entailing a massive, counterproductive diversion of resources in wartime, could have taken place without Hitler’s immediate knowledge and approval, although his orders were often, as Browning notes, “vague and inexplicit.” Moreover, Hitler himself was the chief Nazi ideologue of rabid, demented, racialist anti-Semitism, with anti-Semitism at the very center of his worldview and in and of itself a central motivating factor in his foreign and military policies.
After a day of disinterring and burning corpses, “we returned [to the bunker] on all fours,” Zeidel recalled years later, in a series of interviews with the filmmaker Claude Lanzmann, today held at an archive at the United States Holocaust Memorial Museum. “We really fell like the dead. But,” Zeidel continued, “the spirit of initiative, the energy, the will that we had” helped sustain them. Once oxygen in the tunnel became too scarce to burn candles, a prisoner named Isaac Dogim, who had worked in Vilnius as an electrician, managed to wire the interior with lights, powered by a generator the Nazis had placed in the bunker. Behind the fake wall, the tunnel was expanding: 10 feet in length, 15. Gradually, the entire Burning Brigade was alerted to the escape plan. Dogim and Farber promised that no one would be left behind.
People in Tokyo were not united. I felt it silly to deal with them. So, I made up my mind not to wait for their reply. I knew that somebody would surely complain about me in the future. But, I myself thought this would be the right thing to do. There is nothing wrong in saving many people's lives .... The spirit of humanity, philanthropy ... neighborly friendship ... with this spirit, I ventured to do what I did, confronting this most difficult situation ---and because of this reason, I went ahead with redoubled courage. ”
Hitler intended to blame the Jews for the new world war he was soon to provoke. That war began in September 1939 as German troops stormed into Poland, a country that was home to over three million Jews. After Poland's quick defeat, Polish Jews were rounded up and forced into newly established ghettos at Lodz, Krakow, and Warsaw, to await future plans. Inside these overcrowded walled-in ghettos, tens of thousands died a slow death from hunger and disease amid squalid living conditions. The ghettos soon came under the jurisdiction of Heinrich Himmler, leader of the Nazi SS, Hitler's most trusted and loyal organization, composed of fanatical young men considered racially pure according to Nazi standards.
Always delicately respectful of Frank’s dignity and rights—and always mindful of the older man’s earlier travail—Levin had promised that he would step aside if a more prominent playwright, someone “world famous,” should appear. Stubbornly and confidently, he went on toiling over his own version. As a novelist, he was under suspicion of being unable to write drama. (In after years, when he had grown deeply bitter, he listed, in retaliation, “Sartre, Gorky, Galsworthy, Steinbeck, Wilder!”) Though there are many extant drafts of Levin’s play, no definitive script is available; both publication and performance were proscribed by Frank’s attorneys. A script staged without authorization by the Israel Soldiers’ Theatre in 1966 sometimes passes from hand to hand, and reads well: moving, theatrical, actable, professional. This later work was not, however, the script submitted in the summer of 1952 to Cheryl Crawford, one of a number of Broadway producers who rushed in with bids in the wake of the diary’s acclaim. Crawford, an eminent co-founder of the Actors Studio, initially encouraged Levin, offering him first consideration and, if his script was not entirely satisfactory, the aid of a more experienced collaborator. Then—virtually overnight—she rejected his draft outright. Levin was bewildered and infuriated, and from then on he became an intractable and indefatigable warrior on behalf of his play—and on behalf, he contended, of the diary’s true meaning. In his Times review he had summed it up stirringly as the voice of “six million vanished Jewish souls.”
While the Nazi Party program adopted in February 1920 did not contain direct or indirect reference to the term, Nazi propaganda presented a radical elimination of anything deemed Jewish from all aspects of German life as prerequisite for national recovery. After Hitler's rise to power, party activists and bureaucrats competed in transforming the broad-based consensus that something had to be done about the "Jewish question" into government policy aimed at varying degrees of segregation, expropriation, and physical removal. In the process, applying force became increasingly attractive; however, use of the term in German documents produced prior to 1941 should be understood less as an expression of a preconceived blueprint for genocide than as an expression of radical, as yet unspecified intent.