Britain's attitude to Jewish refugees from Nazi-controlled areas was strongly influenced by its role as the mandatory power in Palestine, where it had to mediate between Jewish and Arab interests. In December 1941, the Struma, a ship carrying 769 Jewish refugees, left the Romanian port of Constantsa hoping to reach Palestine. Towed into Istanbul harbour when its engines failed, it became the subject of diplomatic discussions between Britain and Turkey. Britain's chief concern was to discourage what it regarded as an undesirable traffic, and it proposed that the ship be returned to Romania. After ten weeks of wrangling the Struma was towed out to sea, its engines still disabled, where it was sunk by a Soviet submarine. There was one survivor.
In Nazi-occupied Holland in World War II, shopkeeper Kraler hides two Jewish families in his attic. Young Anne Frank keeps a diary of everyday life for the Franks and the Van Daans, chronicling the Nazi threat as well as family dynamics. A romance with Peter Van Daan causes jealousy between Anne and her sister, Margot. Otto Frank returns to the attic many years after the eventual capture of both families and finds his late daughter's diary. Written by Jwelch5742
In June 1941 Germany attacked the Soviet Union and began the "Final Solution." Four mobile killing groups were formed called Einsatzgruppen A, B, C and D. Each group contained several commando units. The Einsatzgruppen gathered Jews town by town, marched them to huge pits dug earlier, stripped them, lined them up, and shot them with automatic weapons. The dead and dying would fall into the pits to be buried in mass graves. In the infamous Babi Yar massacre, near Kiev, 30,000-35,000 Jews were killed in two days. In addition to their operations in the Soviet Union, the Einsatzgruppen conducted mass murder in eastern Poland, Estonia, Lithuania and Latvia. It is estimated that by the end of 1942, the Einsatzgruppen had murdered more than 1.3 million Jews.
The Nazi invasion of the Soviet Union codenamed Operation Barbarossa, which commenced on 22 June 1941, set in motion a "war of destruction" which quickly opened the door to systematic mass murder of European Jews. For Hitler, Bolshevism was merely "the most recent and most nefarious manifestation of the eternal Jewish threat". On 3 March 1941, Wehrmacht Joint Operations Staff Chief Alfred Jodl repeated Hitler's declaration that the "Jewish-Bolshevik intelligentsia would have to be eliminated" and that the forthcoming war would be a confrontation between two completely opposing cultures. In May 1941, Gestapo leader Heinrich Müller wrote a preamble to the new law limiting the jurisdiction of military courts in prosecuting troops for criminal actions because: "This time, the troops will encounter an especially dangerous element from the civilian population, and therefore, have the right and obligation to secure themselves."
Folman and Polonsky depict Anne as a schoolgirl, a friend, a sister, a girlfriend and a reluctantly obedient daughter. But only once, at the close of the book, do they show her in the act of writing. In so doing, they perpetuate the misconception about the book that so many have come to know, love and admire — it was, in truth, not a hastily scribbled private diary, but a carefully composed and considered text. As artists, they ought to understand how important it is to recognize Anne’s achievement on her own terms, as she intended it. Their book is brilliantly conceived and gorgeously realized; sadly, it does a disservice to the remarkable writer at its center.
One of the Auschwitz survivors who was selected by Dr. Josef Mengele for his cruel and horrific experiments was Yitzchak Ganon, a Greek Jew who was deported, along with his parents and 5 brothers and sisters to Auschwitz in 1944, according to a news article by Alan Hall, published on December 11, 2009. Ganon told reporter Alan Hall that he was selected for an experiment in which Dr. Mengele removed one of his kidneys without an anesthetic: "He cut into me without an anesthetic. The pain was indescribable. I felt every slice of the knife. Then I saw my kidney pulsating in his hand. [...] After the operation I was given no painkillers and put to work. I cleaned up after the bloody operations carried out by Mengele."
From the earliest years of the Nazi regime, German authorities persecuted homosexuals and others whose behavior did not match prescribed social norms. German police officials targeted thousands of political opponents (including Communists, Socialists, and trade unionists) and religious dissidents (such as Jehovah's Witnesses). Many of these individuals died as a result of incarceration and maltreatment.
Eventually, the Germans ordered the councils to compile lists of names of deportees to be sent for "resettlement". Although most ghetto councils complied with these orders, many councils tried to send the least useful workers or those unable to work. Leaders who refused these orders were shot. Some individuals or even complete councils committed suicide rather than cooperate with the deportations. Others, like Chaim Rumkowski, who became the "dedicated autocrat" of Łódź, argued that their responsibility was to save the Jews who could be saved and that therefore others had to be sacrificed. The councils' actions in facilitating Germany's persecution and murder of ghetto inhabitants was important to the Germans. When cooperation crumbled, as happened in the Warsaw ghetto after the Jewish Combat Organisation displaced the council's authority, the Germans lost control.
The match was perfect. The video image of the photograph was imposed precisely over the video image of the skull. It was a face wrapped over a skull, subject over object, an image of life over an image of death. While the images helped to push the probability calculation further in the direction of a definitive identification, they did more than that, for it was the appearance of a previously unseen image that produced the potential for conviction.
On November 12, 1938, Field Marshal Hermann Göring convened a meeting of Nazi officials to discuss the damage to the German economy from pogroms. The Jewish community was fined one billion Reichsmarks. Moreover, Jews were made responsible for cleaning up the damage. German Jews, but not foreign Jews, were barred from collecting insurance. In addition, Jews were soon denied entry to theatres, forced to travel in separate compartments on trains, and excluded from German schools. These new restrictions were added to earlier prohibitions, such as those barring Jews from earning university degrees, from owning businesses, or from practicing law or medicine in the service of non-Jews. The Nazis would continue to confiscate Jewish property in a program called “Aryanization.” Göring concluded the November meeting with a note of irony: “I would not like to be a Jew in Germany!”
“In any of these circumstances, what you want—the biggest thing you want, the most important—is to be able to make these places visible,” Freund told me later, back in Vilnius. “Your goal is to mark them in a way that people can come to them with tears in their eyes, come to them as memorials, come to them to say the mourner’s kaddish. Because the worst thing would be to look away. To forget.”
He inspired Anne: she planned after the war to publish a book about her time in hiding. She also came up with a title: Het Achterhuis, or The Secret Annex. She started working on this project on 20 May 1944. Anne rewrote a large part of her diary, omitted some texts and added many new ones. She wrote the new texts on separate sheets of paper. She describes the period from 12 June 1942 to 29 March 1944. Anne worked hard: in a those few months, she wrote around 50,000 words, filling more than 215 sheets of paper.
Anne Frank's diary gives kids perspective and helps makes the tragic loss of life during WWII a tangible thing they can understand. The diary is so relate-able and reflects so many feelings that all teens have had, that she becomes three dimensional to them and no longer a just some person that died a long time ago. This sensitivity towards the loss of a life is what we need now in the times we live in.
Anne Frank’s final diary entry, written on August 1, 1944, ends introspectively—a meditation on a struggle for moral transcendence set down in a mood of wistful gloom. It speaks of “turning my heart inside out, the bad part on the outside and the good part on the inside,” and of “trying to find a way to become what I’d like to be and what I could be if . . . if only there were no other people in the world.” Those curiously self-subduing ellipses are the diarist’s own; they are more than merely a literary effect—they signify a child’s muffled bleat against confinement, the last whimper of a prisoner in a cage. Her circumscribed world had a population of eleven—the three Dutch protectors who came and went, supplying the necessities of life, and the eight in hiding: the van Daans, their son Peter, Albert Dussel, and the four Franks. Five months earlier, on May 26, 1944, she had railed against the stress of living invisibly—a tension never relieved, she asserted, “not once in the two years we’ve been here. How much longer will this increasingly oppressive, unbearable weight press down on us?” And, several paragraphs on, “What will we do if we’re ever . . . no, I mustn’t write that down. But the question won’t let itself be pushed to the back of my mind today; on the contrary, all the fear I’ve ever felt is looming before me in all its horror. . . . I’ve asked myself again and again whether it wouldn’t have been better if we hadn’t gone into hiding, if we were dead now and didn’t have to go through this misery. . . . Let something happen soon. . . . Nothing can be more crushing than this anxiety. Let the end come, however cruel.” And on April 11, 1944; “We are Jews in chains.”
Although he was raised some 5,000 miles from Lithuania, on Long Island, New York, Freund has deep roots in the area. His great-grandparents fled Vilnius in the early 20th century, during an especially violent series of pogroms undertaken by the Czarist government, when the city still belonged to the Russian Empire. “I’ve always felt a piece of me was there,” Freund told me.
By the end of September, the SS had started to develop plans to deport Jews to newly invaded Poland: the first steps towards the systematic murder that would follow. In Poland itself, thousands of Poles and Jews were rounded up and shot, early indications of the systematic murder that would follow. Alongside this, Hitler approved a new programme of euthanasia to exterminate the handicapped and mentally ill.
The Japanese inventor designed the influential system with a specific person in mind. His friend was losing his vision, so in 1965, Miyake used his own money to build special mats with raised shapes that lead blind and visually impaired people away from danger and toward safety. Pavement with round bumps was meant to signal nearby danger, such as a street crossing or the edge of a train platform, while a stretch of pavement with straight bars was meant to guide them to safe areas. The tactile design allowed pedestrians to detect the features with canes, guide dogs, or their feet.
And audiences multiplied: the Hacketts’ drama went all over the world—including Israel, where numbers of survivors were remaking their lives—and was everywhere successful. The play’s reception in Germany was especially noteworthy. In an impressive and thorough-going essay entitled “Popularization and Memory,” Alvin Rosenfeld, a professor of English at Indiana University, recounts the development of the Anne Frank phenomenon in the country of her birth. “The theater reviews of the time,” Rosenfeld reports, “tell of audiences sitting in stunned silence at the play and leaving the performance unable to speak or to look one another in the eye.” These were self-conscious and thin-skinned audiences; in the Germany of the fifties, theatregoers still belonged to the generation of the Nazi era. (On Broadway, Kanin had unblinkingly engaged Gusti Huber, of that same generation, to play Anne Frank’s mother. As a member of the Nazi Actors Guild until Germany’s defeat, Huber had early on disparaged “non-Aryan artists.”) But the strange muteness in theatres may have derived not so much from guilt or shame as from an all-encompassing compassion; or call it self-pity. “We see in Anne Frank’s fate,” a German drama critic offered, “our own fate—the tragedy of human existence per se.” Hannah Arendt, philosopher and Hitler refugee, scorned such oceanic expressions, calling it “cheap sentimentality at the expense of a great catastrophe.” And Bruno Bettelheim, a survivor of Dachau and Buchenwald, condemned the play’s most touted line: “If all men are good, there was never an Auschwitz.” A decade after the fall of Nazism, the spirited and sanitized young girl of the play became a vehicle for German communal identification—with the victim, not the persecutors—and, according to Rosenfeld, a continuing “symbol of moral and intellectual convenience.” The Anne Frank whom thousands saw in seven openings in seven cities “spoke affirmatively about life and not accusingly about her torturers.” No German in uniform appeared onstage. “In a word,” Rosenfeld concludes, “Anne Frank has become a ready-at-hand formula for easy forgiveness.”
To prosecute the leaders of the Holocaust, the International Military Tribunal in Nuremberg was formed in 1946. The U.S., the UK, the Soviet Union and France each supplied two judges (a primary and an alternate) and a prosecution team for the trial. Twelve leading Nazi officials were sentenced to death for the crimes they had committed, while three received life sentences in prison, and four had prison terms for up to twenty years.
Raphael Lemkin, a holocaust survivor who worked on the Nuremberg Trials, coined the term genocide and spent 4 years pushing for it to be added to international law. As Champetier de Ribes, the French Prosecutor at the Nuremberg Trials explained “This [was] a crime so monstrous, so undreamt of in history throughout the Christian era up to the birth of Hitlerism that the term ‘genocide’ has had to be coined to define it.” Ultimately, in 1948 The United Nations Convention on the Prevention and Punishment of Genocide was adopted, and it entered into force in 1951. The convention defined genocide in legal terms based on Lemkin’s work, and is the basis for genocide prevention efforts today.
Another Polish courier, Jan Karski, reached the west in November 1942, carrying messages from Jewish leaders in Poland. He had himself witnessed the conditions in the Warsaw ghetto and in what he believed to be the Belzec death camp, and was eager to inform the world. Karski saw the British foreign secretary, Anthony Eden, and US President Roosevelt, but they seemed to be more interested in military intelligence than in atrocity stories. Partly as a result of Karski's mission, however, the Allies agreed to a joint declaration, read to the British Parliament on 17 December, which acknowledged Nazi war crimes and threatened punishment for the perpetrators. Subsequently millions of leaflets were dropped in the course of bombing raids on German cities to inform Germans of the facts, but these had little or no effect.
On November 9-10, 1938, the attacks on the Jews became violent. Hershel Grynszpan, a 17-year-old Jewish boy distraught at the deportation of his family, shot Ernst vom Rath, the third secretary in the German Embassy in Paris, who died on November 9. Nazi hooligans used this assassination as the pretext for instigating a night of destruction that is now known as Kristallnacht (the night of broken glass). They looted and destroyed Jewish homes and businesses and burned synagogues. Many Jews were beaten and killed; 30,000 Jews were arrested and sent to concentration camps.
So who was Kitty? Scholars are divided. Some believe “Kitty” refers to Anne’s prewar friend, Käthe "Kitty" Egyedi. Others disagree, believing that Anne borrowed the name from her favorite book series, Joop ter Heul, in which the title character’s best friend was named Kitty. Egyedi, who survived the Theresienstadt concentration camp, later said that she did not believe the letters were meant for her.
In May 1960, Isser Harel, director of Mossad (the Israeli intelligence agency), personally led the successful effort to capture Adolf Eichmann in Buenos Aires. He was also hoping to track down Mengele, so that he too could be brought to trial in Israel. Under interrogation, Eichmann provided the address of a boarding house that had been used as a safe house for Nazi fugitives. Surveillance of the house did not reveal Mengele or any members of his family, and the neighborhood postman claimed that although Mengele had recently been receiving letters there under his real name, he had since relocated without leaving a forwarding address. Harel's inquiries at a machine shop where Mengele had been part owner also failed to generate any leads, so he was forced to abandon the search.