The infamous 'Gate of Death' at Auschwitz II for the incoming freight trains was built of brick and cement mortar in 1943, and the three-track rail spur was added. Until mid-August, 45,000 Thessaloniki Jews were murdered in a mere six months, including over 30,000 Jews from Sosnowiec (Sosnowitz) and Bendzin Ghettos. The spring of 1944 marked the beginning of the last phase of the Final Solution at Birkenau. The new big ramps and sidings were constructed, and two freight elevators were installed inside Crematoria II and III for moving the bodies faster. The size of the Sonderkommando was nearly quadrupled in preparation for the Special Operation Hungary (Sonderaktion Ungarn). In May 1944, Auschwitz-Birkenau became the site of one of the two largest mass murder operations in modern history, after the Großaktion Warschau deportations of the Warsaw Ghetto inmates to Treblinka in 1942. It is estimated that until July 1944 approximately 320,000 Hungarian Jews were gassed at Birkenau in less than eight weeks. The entire operation was photographed by the SS. In total, between April and November 1944, Auschwitz II received over 585,000 Jews from over a dozen regions as far as Greece, Italy, and France, including 426,000 Jews from Hungary, 67,000 from Łódź, 25,000 from Theresienstadt, and the last 23,000 Jews from the General Government. Auschwitz was liberated by the Red Army on 27 January 1945, when the gassing had already stopped.
Prisoners on a death march from Dachau move towards the south along the Noerdliche Muenchner Street in Gruenwald, Germany, on April 29, 1945. Many thousands of prisoners were marched forcibly from outlying prison camps to camps deeper inside Germany as Allied forces closed in. Thousands died along the way, anyone unable to keep up was executed on the spot. Pictured, fourth from the right, is Dimitry Gorky who was born on August 19, 1920 in Blagoslovskoe, Russia to a family of peasant farmers. During World War II Dmitry was imprisoned in Dachau for 22 months. The reason for his imprisonment is not known. Photo released by the U.S. Holocaust Memorial Museum. #
After the war, Mengele escaped internment and went underground, serving for four years as a farm stableman near Rosenheim in Bavaria. Then he reportedly escaped, via Genoa, Italy, to South America in 1949. He married (for a second time) under his own name in Uruguay in 1958 and, as “José Mengele,” received citizenship in Paraguay in 1959. In 1961 he apparently moved to Brazil, reportedly becoming friends with an old-time Nazi, Wolfgang Gerhard, and living in a succession of houses owned by a Hungarian couple. In 1985 a team of Brazilian, West German, and American forensic experts determined that Mengele had taken Gerhard’s identity, died in 1979 of a stroke while swimming, and was buried under Gerhard’s name. Dental records later confirmed the forensic conclusion.
After the Wannsee Conference in January 1942, the Nazis began the systematic deportation of Jews from all over Europe to six extermination camps established in former Polish territory -- Chelmno , Belzec, Sobibor, Treblinka, Auschwitz-Birkenau, and Majdanek. Extermination camps were killing centers designed to carry out genocide. About three million Jews were gassed in extermination camps.
Josef Mengele had hoped to use the “research” he had garnered in Auschwitz in order to produce his Habilitation, a second, post-doctoral, dissertation required for admission to a university faculty as a professor in German-speaking lands. Instead, in January 1945, as the Soviet Army advanced through western Poland, Mengele fled Auschwitz. He spent the next few weeks at the Gross-Rosen concentration camp, until its evacuation. He then made his way west to evade capture by Soviet forces.
Folman and Polonsky depict Anne as a schoolgirl, a friend, a sister, a girlfriend and a reluctantly obedient daughter. But only once, at the close of the book, do they show her in the act of writing. In so doing, they perpetuate the misconception about the book that so many have come to know, love and admire — it was, in truth, not a hastily scribbled private diary, but a carefully composed and considered text. As artists, they ought to understand how important it is to recognize Anne’s achievement on her own terms, as she intended it. Their book is brilliantly conceived and gorgeously realized; sadly, it does a disservice to the remarkable writer at its center.
From this moment on, the Nazi regime adopted hundreds of laws restricting the rights and liberties of the Jewish people. Jews were expelled from the civil service and barred from entering particular professions, stripped of their citizenship, and forbidden from intermarrying or even having a relationship with anyone of “German or German-related blood”.
In October 1941 the Nazis began turning the concentration camp at Majdanek into a death camp as well. They then began the construction of killing centres at Bełżec, Treblinka, near Warsaw, and at Sobibór. The first mass gassing of Jews began in Chelmno on 8 December 1941, when the Nazis used gas vans to murder people from the Łódź ghetto. The Nazis also ordered the expansion of the Auschwitz camp complex to increase the capacity for murder.
Likewise at Auschwitz Dr. Herta Oberhauser killed children with oil and evipan injections, removed their limbs and vital organs, rubbed ground glass and sawdust into wounds. She drew a twenty-year sentence as a war criminal, but was released in 1952 and became a family doctor at Stocksee in Germany. Her license to practice medicine was revoked in 1960. (Laska)
Doubleday, meanwhile, sensing complications ahead, had withdrawn as Frank’s theatrical agent, finding Levin’s presence—injected by Frank—too intrusive, too maverick, too independent and entrepreneurial: fixed, they believed, only on his own interest, which was to stick to his insistence on the superiority of his work over all potential contenders. Frank, too, had begun—kindly, politely, and with tireless assurances of his gratitude to Levin—to move closer to Doubleday’s cooler views, especially as urged by Barbara Zimmerman. She was twenty-four years old, the age Anne would have been, very intelligent and attentive. Adoring letters flowed back and forth between them, Frank addressing her as “little Barbara” and “dearest little one.” On one occasion he gave her an antique gold pin. About Levin, Zimmerman finally concluded that he was “impossible to deal with in any terms, officially, legally, morally, personally”—a “compulsive neurotic . . . destroying both himself and Anne’s play.” (There was, of course, no such entity as “Anne’s play.”)
And audiences multiplied: the Hacketts’ drama went all over the world—including Israel, where numbers of survivors were remaking their lives—and was everywhere successful. The play’s reception in Germany was especially noteworthy. In an impressive and thorough-going essay entitled “Popularization and Memory,” Alvin Rosenfeld, a professor of English at Indiana University, recounts the development of the Anne Frank phenomenon in the country of her birth. “The theater reviews of the time,” Rosenfeld reports, “tell of audiences sitting in stunned silence at the play and leaving the performance unable to speak or to look one another in the eye.” These were self-conscious and thin-skinned audiences; in the Germany of the fifties, theatregoers still belonged to the generation of the Nazi era. (On Broadway, Kanin had unblinkingly engaged Gusti Huber, of that same generation, to play Anne Frank’s mother. As a member of the Nazi Actors Guild until Germany’s defeat, Huber had early on disparaged “non-Aryan artists.”) But the strange muteness in theatres may have derived not so much from guilt or shame as from an all-encompassing compassion; or call it self-pity. “We see in Anne Frank’s fate,” a German drama critic offered, “our own fate—the tragedy of human existence per se.” Hannah Arendt, philosopher and Hitler refugee, scorned such oceanic expressions, calling it “cheap sentimentality at the expense of a great catastrophe.” And Bruno Bettelheim, a survivor of Dachau and Buchenwald, condemned the play’s most touted line: “If all men are good, there was never an Auschwitz.” A decade after the fall of Nazism, the spirited and sanitized young girl of the play became a vehicle for German communal identification—with the victim, not the persecutors—and, according to Rosenfeld, a continuing “symbol of moral and intellectual convenience.” The Anne Frank whom thousands saw in seven openings in seven cities “spoke affirmatively about life and not accusingly about her torturers.” No German in uniform appeared onstage. “In a word,” Rosenfeld concludes, “Anne Frank has become a ready-at-hand formula for easy forgiveness.”
After its defeat in World War I, Germany was humiliated by the Versailles Treaty, which reduced its prewar territory, drastically reduced its armed forces, demanded the recognition of its guilt for the war, and stipulated it pay reparations to the allied powers. With the German Empire destroyed, a new parliamentary government called the Weimar Republic was formed. The republic suffered from economic instability, which grew worse during the worldwide depression after the New York stock market crash in 1929. Massive inflation followed by very high unemployment heightened existing class and political differences and began to undermine the government.
Hilberg, Raul (1985). The Destruction of the European Jews: The Revised and Definitive Edition. New York: Holmes and Meier. ISBN 0-8419-0832-X – via Archive.org search inside. The deportations ... were the work of a much larger apparatus that had to deal with a host of constraints and requirements. The effort, as we shall see, was deemed necessary to accomplish the Final Solution on a European-wide scale.[p.273]
Dr. Mengele was known by all the prisoners because of his good looks and charm. According to Gerald L. Posner and John Ware, the authors of "Mengele, the Complete Story," many of the children in the Birkenau camp "adored Mengele" and called him "Uncle Pepi." This information came from Vera Alexander, a survivor of Birkenau, who said that Dr. Mengele brought chocolate and the most beautiful clothes for the children, including hair ribbons for the little girls.
To the Nazi regime, there would have been no doubt that a war against Bolshevism was implicitly a war against the Jewish population of the Soviet Union. A division of Hitler’s SS known as the Einsatzgruppen traveled behind the German army and acted as death squads, exterminating civilian populations in the most efficient way possible. During the early part of Operation Barbarossa these were frequently people who had fled the Nazi’s earlier invasion of Poland.
If a front-page review in the New York Times Book Review can rocket a book to instant sanctity, that is what Meyer Levin, in the spring of 1952, achieved for “Anne Frank: The Diary of a Young Girl.” It was an assignment he had gone after avidly. Barbara Zimmerman (afterward Barbara Epstein, a founder of The New York Review of Books), the diary’s young editor at Doubleday, had earlier recognized its potential as “a minor classic,” and had enlisted Eleanor Roosevelt to supply an introduction. (According to Levin, it was ghostwritten by Zimmerman.) Levin now joined Zimmerman and Doubleday in the project of choosing a producer. Doubleday was to take over as Frank’s official agent, with the stipulation that Levin would have an active hand in the adaptation. “I think that I can honestly say,” Levin wrote Frank, “that I am as well qualified as any other writer for this particular task.” In a cable to Doubleday, Frank appeared to agree: “DESIRE LEVIN AS WRITER OR COLLABORATOR IN ANY TREATMENT TO GUARANTEE IDEA OF BOOK.” The catch, it would develop, lurked in a perilous contingency: Whose idea? Levin’s? Frank’s? The producer’s? The director’s? In any case, Doubleday was already doubtful about Levin’s ambiguous role: What if an interested producer decided on another playwright?
After the end of World War II, surviving archival documents provided a clear record of the Final Solution policies and actions of Nazi Germany. They included the Wannsee Conference Protocol, which documented the co-operation of various German state agencies in the SS-led Holocaust, as well as some 3,000 tons of original German records captured by Allied armies, including the Einsatzgruppen reports, which documented the progress of the mobile killing units assigned, among other tasks, to kill Jewish civilians during the attack on the Soviet Union in 1941. The evidential proof which documented the mechanism of the Holocaust was submitted at Nuremberg.
Frank’s inclusion of sexual material in her diaries makes sense—during her 25 months of hiding, she matured from a young girl into a young woman and even conducted a brief romantic relationship with Peter van Pels, a boy who hid with the Frank family. But to those who have read Frank’s diary, the real surprise is not that she addressed sexual topics—it’s that there’s more to discover about a 15-year-old murdered 73 years ago.
By late 1938, the Nazis could claim an impressive series of successes. Germany had staged the 1936 Olympics, annexed Austria and part of Czechoslovakia, and was in the midst of a strong economic recovery fuelled by rearmament. These triumphs had increased the Nazis' popularity and their confidence. President Hindenburg had died and all opposition parties had been abolished. The last conservatives in the cabinet had been replaced by Nazis. The way was clear for radical action.
There are many self-reflective passages where Anne laments being picked on by the adults in the annex, wondering if she will live up to the expectations they have for her, hoping she can reach her goals. There is a thread of hope apparent even in her most depressing writings. I think these are the parts I think teens find most relate-able because all teens want to achieve things, please their parents, and find hope in their moments of despair.
I knew the story of how she went into hiding with her family for a few years and wrote everything down in a journal. I knew of the fact that she was captured right at the end of the war, when hope was high and peace was nigh, only to die of typhus a mere few weeks before her concentration camp would be liberated. All of this, I knew, I’d been told many a time in history class.
This book was fascinating. I was a little surprised that there wasn't more about the atrocities that were happening around them instead of all the turmoil in the household. However, I realize that she was just a very young girl. And, I was surprised about how sexually aware she was. Until she and her family went into hiding, she hadn't had a lot of worldly awareness so she wrote about what was happening around her, and that was everything that went on in that household with those people. It woul ...more
Though the circumstances of her final years (she died, at 15, in Bergen-Belsen) were so terrible and extreme, her inner life and her voice seem almost shockingly contemporary, astonishingly similar to the voices of the teenagers we know. We cannot help but be amazed that an adolescent girl could have written so movingly and intelligently about a subject that continues to overwhelm the adult imagination.