Mengele sailed to Argentina in July 1949, assisted by a network of former SS members. He initially lived in and around Buenos Aires, then fled to Paraguay in 1959 and Brazil in 1960, while being sought by West Germany, Israel, and Nazi hunters such as Simon Wiesenthal who wanted to bring him to trial. He eluded capture in spite of extradition requests by the West German government and clandestine operations by the Israeli intelligence agency Mossad. He drowned in 1979 after suffering a stroke while swimming off the Brazilian coast, and was buried under a false name. His remains were disinterred and positively identified by forensic examination in 1985.
We might recall (see Part 53) that it was one of Germany’s biggest thinkers of the 19th century—Wilhelm Marr—who coined the term “anti-Semitism.” In so doing he wanted to distinguish hatred of the Jews as members of a religion (anti-Judaism) from hatred of the Jews as members of a race/nation (anti-Semitism). In 1879, he wrote a book called The Victory of Judaism over Germandom, a runaway best-seller; in it Marr warned:
The vehicle that has most powerfully accomplished this almost universal obtuseness is Anne Frank’s diary. In celebrating Anne Frank’s years in the secret annex, the nature and meaning of her death has been, in effect, forestalled. The diary’s keen lens is helplessly opaque to the diarist’s explicit doom—and this opacity, replicated in young readers in particular, has led to shamelessness.
Born on March 16, 1911 in Günzburg, Germany to a prosperous family, Josef Mengele was the eldest of 3 children. In 1935, he earned a PhD in physical anthropology from the University of Munich, and 2 years later he became the assistant of Dr. Otmar von Verschuer, a leading scientific figure known for his research with twins, at the Institute for Hereditary Biology and Racial Hygiene in Frankfurt. That same year, Mengele joined the Nazi Party, and in 1938, joined the SS. In 1940, he was drafted into the military, where he volunteered for medical service in the Waffen-SS. However, his time in the military was cut short after being wounded while on campaign and he was sent back to Germany, where he resumed work with von Verschuer at the Kaiser Wilhelm Institute for Anthropology.
Timothy Snyder writes that Longerich "grants the significance of Greiser's murder of Jews by gas at Chełmno in December 1941", but also detects a significant moment of escalation in spring 1942, which includes "the construction of the large death factory at Treblinka for the destruction of the Warsaw Jews, and the addition of a gas chamber to the concentration camp at Auschwitz for the murder of the Jews of Silesia".[117] Longerich suggests that it "was only in the summer of 1942, that mass killing was finally understood as the realization of the Final Solution, rather than as an extensively violent preliminary to some later program of slave labor and deportation to the lands of a conquered USSR". For Longerich, to see mass killing as the Final Solution was an acknowledgement by the Nazi leadership that there would not be a German military victory over the USSR in the near future.[117]
The sins of the Soviets and the sins of Hellman and her Broadway deputies were, in Levin’s mind, identical. He set out to punish the man who had allowed all this to come to pass: Otto Frank had allied himself with the pundits of erasure; Otto Frank had stood aside when Levin’s play was elbowed out of the way. What recourse remained for a man so affronted and injured? Meyer Levin sued Otto Frank. It was as if, someone observed, a suit were being brought against the father of Joan of Arc. The bulky snarl of courtroom arguments resulted in small satisfaction for Levin: because the structure of the Hacketts’ play was in some ways similar to his, the jury detected plagiarism; yet even this limited triumph foundered on the issue of damages. Levin sent out broadsides, collected signatures, summoned a committee of advocacy, lectured from pulpits, took out ads, rallied rabbis and writers (Norman Mailer among them). He wrote “The Obsession,” his grandly confessional “J’Accuse,” rehearsing, in skirmish after skirmish, his fight for the staging of his own adaptation. In return, furious charges flew at him: he was a red-baiter, a McCarthyite. The term “paranoid” began to circulate. Why rant against the popularization and dilution that was Broadway’s lifeblood? “I certainly have no wish to inflict depression on an audience,” Kanin had argued. “I don’t consider that a legitimate theatrical end.” (So much for “Hamlet” and “King Lear.")
Mengele was born on 16 March 1911 to Walburga (née Hupfauer) and Karl Mengele in Günzburg, Bavaria, Germany.[4] He was the oldest of three children; his two younger brothers were Karl Jr. and Alois. Their father was founder of the Karl Mengele & Sons company, producers of farm machinery.[5] Josef was successful at school and developed an interest in music, art, and skiing.[6] He completed high school in April 1930 and went on to study philosophy in Munich,[7] where the headquarters of the Nazi Party were located.[8] In 1931, Mengele joined the Stahlhelm, Bund der Frontsoldaten, a paramilitary organization that was absorbed into the Nazi Sturmabteilung (Storm Detachment; SA) in 1934.[7][9]