Which made him all the more intrigued to hear, two years ago, about a new research project led by Jon Seligman, of the Israel Antiquities Authority, at the site of Vilnius’s Great Synagogue, a once towering Renaissance-Baroque structure dating to the 1630s. The synagogue, which had also housed a vast library, kosher meat stalls and a communal well, had at one time been the crown jewel of the city, itself a center of Jewish life in Eastern Europe—the “Jerusalem of the North.” By one estimate, at the turn of the 20th century Vilnius was home to some 200,000 people, half of them Jewish. But the synagogue was damaged after Hitler’s army captured the city in June 1941 and herded the Jewish population into a pair of walled ghettos, whom it then sent, in successive waves, to Ponar. After the war the Soviets razed the synagogue entirely; today an elementary school stands in its place.
Browning’s massive but highly readable work (some parts of which were written by the German scholar Jürgen Matthäus) covers every aspect of this question and incorporates all significant previous research. While new interpretations are, of course, likely to be offered in the future, it is most unlikely, barring the discovery of new documents of great importance, that we will ever have a clearer picture of this process than the one Browning offers. This is not to say that the evolution of Nazi policy towards the Jews in this period is now crystal clear”it emphatically is not”but it is to say that all the evidence that an historian can bring to bear on this question has now been synthesized in the clearest form it is ever likely to have.
On the eve of World War II, the Führer (supreme leader) publicly threatened the Jews of Europe during a speech in Berlin: "In the course of my life I have very often been a prophet, and have usually been ridiculed for it. During the time of my struggle for power it was in the first instance only the Jewish race that received my prophecies with laughter when I said that I would one day take over the leadership of the State, and with it that of the whole nation, and that I would then among other things settle the Jewish problem. Their laughter was uproarious, but I think that for some time now they have been laughing on the other side of their face. Today I will once more be a prophet: if the international Jewish financiers in and outside Europe should succeed in plunging the nations once more into a world war, then the result will not be the Bolshevizing of the earth, and thus the victory of Jewry, but the annihilation of the Jewish race in Europe!"
Otto Frank was merely an accessory to the transformation of the diary from one kind of witness to another kind: from the painfully revealing to the partially concealing. If Anne Frank has been made into what we nowadays call an “icon,” it is because of the Pulitzer Prize-winning play derived from the diary—a play that rapidly achieved worldwide popularity, and framed the legend even the newest generation has come to believe in. Adapted by Albert Hackett and Frances Goodrich, a Hollywood husband-and-wife screenwriting team, the theatricalized version opened on Broadway in 1955, ten years after the end of the war, and its portrayal of the “funny, hopeful, happy” Anne continues to reverberate, not only in how the diary is construed but in how the Holocaust itself is understood. The play was a work born in controversy, destined to roil on and on in rancor and litigation. Its tangle of contending lawyers finally came to resemble nothing so much as the knotted imbroglio of Jarndyce vs. Jarndyce, the unending court case of “Bleak House.” Many of the chief figures in the protracted conflict over the Hacketts’ play have by now left the scene, but the principal issues, far from fading away, have, after so many decades, intensified. Whatever the ramifications of these issues, whatever perspectives they illumine or defy, the central question stands fast: Who owns Anne Frank?
Dogim backed down; the diggers pressed on. On April 9, Farber announced that they’d reached the roots of a tree near the barbed-wire fence that encircled the camp’s perimeter. Three days later, he made a tentative stab with a makeshift probe he’d fashioned out of copper tubing. Gone was the stench of the pits. “We could feel the fresh April air, and it gave us strength,” he later recalled. “We saw with our own eyes that freedom was near.”
The Summer Olympics in Berlin gave the Nazis a platform to project a crafted image to the world. Despite calls for boycotts, the games were a success. Anti-Jewish notices were removed and German spectators cheered black athlete Jesse Owens to four gold medals. Visitors saw a tolerant Reich. However, three days after the games ended, the head of the Olympic Village, Wolfgang Fürstner, killed himself as he would soon be dismissed due to his Jewish ancestry under the Nuremberg Laws.
4 out of 5 stars to The Diary of a Young Girl, written during the 1940s by Anne Frank. Many are first exposed to this modern-day classic during their middle or high school years, as a way to read a different type of literature from that of an ordinary novel. In this diary, young Anne express her thoughts (both positive and negative) over a two-year period during which her family and friends are in hiding during World War II and the Holocaust. For most of us, this is one of the few ...more
Transportation between camps was often carried out in freight cars with prisoners packed tightly. Long delays would take place; prisoners might be confined in the cars on sidings for days. In mid-1942 work camps began requiring newly arrived prisoners to be placed in quarantine for four weeks. Prisoners wore colored triangles on their uniforms, the color of the triangle denoting the reason for their incarceration. Red signified a political prisoner, Jehovah's Witnesses had purple triangles, "asocials" and criminals wore black and green. Badges were pink for gay men and yellow for Jews. Jews had a second yellow triangle worn with their original triangle, the two forming a six-pointed star. In Auschwitz, prisoners were tattooed with an identification number on arrival.
In addition to active help, many clergymen also protested the mistreatment and deportations of Jews as violations of divine and human laws. The Catholic pastor of St. Hedwig’s Cathedral in Berlin, Bernard Lichtenburg, prayed publicly for the Jews until his arrest and death on the way to Dachau. The rescue work of priests of all Christian denominations is well-documented in postwar literature.
When Hitler and his Nazis built the Warsaw Ghetto and herded 500,000 Polish Jews behind its walls to await liquidation, many Polish gentiles turned their backs or applauded. Not Irena Sendler. An unfamiliar name to most people, but this remarkable woman defied the Nazis and saved 2,500 Jewish children by smuggling them out of the Warsaw Ghetto. As a health worker, she sneaked the children out between 1942 and 1943 to safe hiding places and found non-Jewish families to adopt them.
To prosecute the leaders of the Holocaust, the International Military Tribunal in Nuremberg was formed in 1946. The U.S., the UK, the Soviet Union and France each supplied two judges (a primary and an alternate) and a prosecution team for the trial. Twelve leading Nazi officials were sentenced to death for the crimes they had committed, while three received life sentences in prison, and four had prison terms for up to twenty years.
This graphic adaptation is so engaging and effective that it’s easy to imagine it replacing the “Diary” in classrooms and among younger readers. For that reason especially, it seems a mistake not to have included more in the way of critical apparatus to explain the ways the creators diverged from the historical record, especially when they touch most directly on the Holocaust. There is, for example, a naïve, stylized rendering of a concentration camp scene, which makes sense as a representation of Anne’s fantasies — she didn’t know the barbaric specifics of what was going on around her — but risks confusing students, who might not know that Auschwitz wasn’t in fact a big green square surrounded by pleasant-looking buildings with huge canisters reading “GAS” plugged into them.
When the Nazis occupied western Poland in 1939, two-thirds of Polish Jews - Europe's largest Jewish community - fell into their hands. The Polish Jews were rounded up and placed in ghettos, where it is estimated that 500,000 people died of starvation and disease. Nazi policy at this point was aimed at forced emigration and isolation of the Jews rather than mass murder, but large numbers were to die through attrition.
In response to a typhus epidemic in the women's camp, Mengele cleared one block of six hundred Jewish women and sent them to their deaths in the gas chambers. The building was then cleaned and disinfected, and the occupants of a neighboring block were bathed, de-loused, and given new clothing before being moved into the clean block. This process was repeated until all of the barracks were disinfected. Similar procedures were used for later epidemics of scarlet fever and other diseases, with infected prisoners being killed in the gas chambers. For these actions, Mengele was awarded the War Merit Cross (Second Class with swords) and was promoted in 1944 to First Physician of the Birkenau subcamp.