Though the Russians had just come across the Holocaust’s deadliest camp, the liberation of Auschwitz didn’t even make front page news. A communiquépublished in the New York Times on January 28, 1945, doesn’t even mention the camp, just the city; on February 3, the paper devotedtwo paragraphs to the “murder factory” at Oswiecim but gave few details. As World War II raced to its end, few people could even grasp the horror that was found in the camps.
Aware that as witnesses to the killings they would eventually be killed themselves, the Sonderkommandos of Birkenau Kommando III staged an uprising on 7 October 1944, following an announcement that some of them would be selected to be "transferred to another camp"—a common Nazi ruse for the murder of prisoners. They attacked the SS guards with stones, axes, and makeshift hand grenades, which they also used to damage Crematorium IV and set it on fire. As the SS set up machine guns to attack the prisoners in Crematorium IV, the Sonderkommandos in Crematorium II also revolted, some of them managing to escape the compound. The rebellion was suppressed by nightfall.
The prisoners' days began at 4:30 am for the men (an hour later in winter), and earlier for the women, when the block supervisor sounded a gong and started beating inmates with sticks to encourage them to wash and use the latrines quickly. Sanitary arrangements were atrocious, with few latrines and a lack of clean water. Each washhouse had to service thousands of prisoners. In sectors BIa and BIb in Auschwitz II-Birkenau, two buildings containing latrines and washrooms were installed in 1943. These contained troughs for washing and 90 faucets; the toilet facilities were "sewage channels" covered by concrete with 58 holes for seating. There were three barracks with washing facilities or toilets to serve 16 residential barracks in BIIa, and six washrooms/latrines for 32 barracks in BIIb, BIIc, BIId, and BIIe. Primo Levi described a 1944 Auschwitz III washroom:
: a place where large numbers of people (such as prisoners of war, political prisoners, refugees, or the members of an ethnic or religious minority) are detained or confined under armed guard —used especially in reference to camps created by the Nazis in World War II for the internment and persecution of Jews and other prisoners The Nazi soldiers hauled [Mordechai] Strigler off to a concentration camp, and carved swastikas into his cheeks and forehead with a razor blade. Over the next five years, he was sent from one concentration camp or slave-labor camp to another.— David RemnickShe ended up dying in a concentration camp, just a few months before she would have been liberated.— Marilyn ReynoldsThe V2 killed thousands of British civilians while 20,000 concentration camp inmates died as slave labourers during its manufacture in the closing stages of the second world war.— Anna Tomforde et al. — see also death camp
Other Nazis—especially those at the time associated with the party's more radical wing such as Gregor Strasser, Joseph Goebbels and Heinrich Himmler—rejected Italian Fascism, accusing it of being too conservative or capitalist. Alfred Rosenberg condemned Italian Fascism for being racially confused and having influences from philosemitism. Strasser criticised the policy of Führerprinzip as being created by Mussolini and considered its presence in Nazism as a foreign imported idea. Throughout the relationship between Nazi Germany and Fascist Italy, a number of lower-ranking Nazis scornfully viewed fascism as a conservative movement that lacked a full revolutionary potential.
With time, Anne and her diary became universalized. The diary, which in all its translations and editions was at first perceived as simply the story of a young Jewish girl during the Holocaust, gradually became a symbol of suffering humanity, which despite its burden still believed in human values and the basic goodness of human beings. This symbol gradually became ever more remote from the Holocaust, the camps and the Jewish people. Anne herself became a symbol for youth in general, while her father Otto became a father-figure to whom young people wrote from all over the world, sharing his pain on the loss of his family, with no connection to the circumstances under which they died, his Jewishness or national identity. It was Otto Frank himself who began this process of universalization and sterilization with the publication of the diary’s first edition. He deleted portions in which Anne wrote about her physical maturation; her love for Peter van Pels, who was about her own age; the quarrels between members of her family and the insults they exchanged in the pressure cooker in which they lived for two years; and the characteristics and appearances of her fellow fugitives. In 1947 all mention of sex and even immature adolescent infatuations was still taboo. Otto Frank was from a conservative German family of the interwar period, and the loss of his wife and daughters was still too fresh for him to include episodes that might tarnish their memory, even if they were human and natural and occurred in every family. After further reflection, he left pages containing some of the harsher texts with a close friend. These pages were published close to Anne’s seventieth birthday in June 1999, when several biographies of her appeared.
Gradowski’s chronicle walks us, step by devastating step, through the murders of 5,000 people, a single large “transport” of Czech Jews who were slaughtered on the night of March 8, 1944—a group that was unusual only because they had already been detained in Birkenau for months, and therefore knew what was coming. Gradowski tells us how he escorted the thousands of women and young children into the disrobing room, marveling at how “these same women who now pulsed with life would lie in dirt and filth, their pure bodies smeared with human excrement.” He describes how the mothers kiss their children’s limbs, how sisters clutch each other, how one woman asks him, “Say, brother, how long does it take to die? Is it easy or hard?” Once the women are naked, Gradowski and his fellow prisoners escort them through a gantlet of SS officers who had gathered for this special occasion—a night gassing arranged intentionally on the eve of Purim, the biblical festival celebrating the Jews’ narrow escape from a planned genocide. He recalls how one woman, “a lovely blond girl,” stopped in her death march to address the officers: “‘Wretched murderers! You look at me with your thirsty, bestial eyes. You glut yourselves on my nakedness. Yes, this is what you’ve been waiting for. In your civilian lives you could never even have dreamed about it. [...] But you won’t enjoy this for long. Your game’s almost over, you can’t kill all the Jews. And you will pay for it all.’ And suddenly she leaped at them and struck Oberscharführer Voss, the director of the crematoriums, three times. Clubs came down on her head and shoulders. She entered the bunker with her head covered with wounds [...] she laughed for joy and proceeded calmly to her death.” Gradowski describes how people sang in the gas chambers, songs that included Hatikvah, “The Hope,” now the national anthem of Israel. And then he describes the mountain of open-eyed naked bodies that he and his fellow prisoners must pull apart and burn: “Their gazes were fixed, their bodies motionless. In the deadened, stagnant stillness there was only a hushed, barely audible noise—a sound of fluid seeping from the different orifices of the dead. [...] Frequently one recognizes an acquaintance.” In the specially constructed ovens, he tells us, the hair is first to catch fire, but “the head takes the longest to burn; two little blue flames flicker from the eyeholes—these are the eyes burning with the brain. [...] The entire process lasts 20 minutes—and a human being, a world, has been turned to ashes. [...] It won’t be long before the five thousand people, the five thousand worlds, will have been devoured by the flames.”
Researchers and Jewish thinkers such as Bruno Bettelheim (1903–1990), Lawrence Langer, Art Spiegelman, Richard Bernstein and, the sharpest of them, Cynthia Ozick, feel that this sentence, especially as it appears at the end of the play and the movie based on the diary, says that perhaps Auschwitz did not exist at all, that all people are good; that it is a Christian blessing promising God’s mercy to everyone, regardless of their actions; that the difficulty in digesting the Holocaust leads to its being pushed aside, if not denied outright. These thinkers opposed the diary’s adaptations, not Anne’s diary itself, which was courageously Jewish and anti-German, and revealing from a human, familial and national perspective. Yet adaptations and translations continued to be published over their protests, and the diary continued to be rendered universal and sterile, forgiving and comfortable to read and identify with.
[W]hen we refer to all Kurdish fighters synonymously, we simply blur the fact that they have very different politics. . . right now, yes, the people are facing the Islamic State threat, so it’s very important to have a unified focus. But the truth is, ideologically and politically these are very, very different systems. Actually almost opposite to each other. —Dilar Dirik, “Rojava vs. the World,” February 2015
In October 1933, the Junkers Aircraft Works was expropriated. In concert with other aircraft manufacturers and under the direction of Aviation Minister Göring, production was ramped up. From a workforce of 3,200 people producing 100 units per year in 1932, the industry grew to employ a quarter of a million workers manufacturing over 10,000 technically advanced aircraft annually less than ten years later.
That same day, Gestapo official SS Sergeant Karl Silberbauer and two Dutch police collaborators arrested the Franks. The Gestapo sent them to Westerbork on Aug. 8. One month later, in September 1944, SS and police authorities placed the Franks, and the four others hiding with them, on a train transport from Westerbork to the Auschwitz camp complex in German-occupied Poland. Selected for labor due to their youth, Anne and her sister, Margot were transferred to the Bergen-Belsen concentration camp near Celle, in northern Germany, in late October 1944.
When the Nazis came to power in Germany, they quickly moved to suppress all real and potential opposition. The general public was intimidated by the arbitrary psychological terror that was used by the special courts (Sondergerichte). Especially during the first years of their existence when these courts "had a strong deterrent effect" against any form of political protest.