As long as Rosé remained in charge of the orchestra, it maintained a fairly high level of skill and a large repertoire. The musicians participated in strenuous rehearsals and even more stressful concerts and private performances. Although the vast majority of their music-making was (with the exception of the daily march music) for the benefit of the SS and the small group of ‘elite’ prisoners, the orchestra would occasionally give special concerts to the regular inmates, and make visits to the infirmary. However, upon Rosé's sudden and mysterious death on 4 April 1944, the orchestra began to slowly crumble. Rosé was replaced by the Ukrainian pianist and copyist Sonya Winogradowa, who, although liked by the other musicians, was not a particularly effective leader. At the end of 1944, the non-Jewish members were sent to Auschwitz I, while the Jews were deported to Bergen-Belsen. Relatively many survived the war.
Using gas vans, Chełmno had its roots in the Aktion T4 euthanasia program. Majdanek began as a POW camp, but in August 1942 it had gas chambers installed. A few other camps are occasionally named as extermination camps, but there is no scholarly agreement on the additional camps; commonly mentioned are Mauthausen in Austria and Stutthof. There may also have been plans for camps at Mogilev and Lvov.
On the evening of November 9, 1938, carefully orchestrated anti-Jewish violence “erupted” throughout the Reich, which since March had included Austria. Over the next 48 hours rioters burned or damaged more than 1,000 synagogues and ransacked and broke the windows of more than 7,500 businesses. Some 30,000 Jewish men between the ages of 16 and 60 were arrested and sent to concentration camps. Police stood by as the violence—often the action of neighbours, not strangers—occurred. Firemen were present not to protect the synagogues but to ensure that the flames did not spread to adjacent “Aryan” property. The pogrom was given a quaint name: Kristallnacht (“Crystal Night,” or “Night of Broken Glass”). In its aftermath, Jews lost the illusion that they had a future in Germany.
Not long after acquiring his “Emalia” factory - which produced enamel goods and munitions to supply the German front - the removal of Jews to death camps began in earnest. Schindler's Jewish accountant put him in touch with the few Jews with any remaining wealth. They invested in his factory, and in return they would be able to work there and perhaps be spared. He was persuaded to hire more Jewish workers, designating their skills as “essential,” paying off the Nazis so they would allow them to stay in Kraków. Schindler was making money, but everyone in his factory was fed, no-one was beaten, no-one was killed. It became an oasis of humanity in a desert of moral torpor.
There is no question that Oskar Schindler was appalled by the murder of Jewish children when the Krakow ghetto was closed but Crowe argues “evidence suggests that he had already chosen his path sometime before this tragedy” and that the murders “simply made him more determined to help as many Jews as he could.” In a film, of course, it is more challenging to portray gradual determination rather than a single moment that inspires action. However, Crowe writes, “In the end, there was no one, dramatic transforming moment when Oskar Schindler decided to do everything he could to save his Jewish workers.”