Two robust editors are Blitzkrieg's keys to unlocking endless game play possibilities. The Mission Editor allows you to generate and add your own missions, chapters and campaigns according to the options you want most, from level of difficulty to type of action. The Resource Editor gives you total license to redesign the game, add or modify units, characteristics, colors, textures, sounds and more - unlimited freedom to play the game on your terms.
The British army took lessons from the successful infantry and artillery offensives on the Western Front in late 1918. To obtain the best co-operation between all arms, emphasis was placed on detailed planning, rigid control and adherence to orders. Mechanization of the army was considered a means to avoid mass casualties and indecisive nature of offensives, as part of a combined-arms theory of war. The four editions of Field Service Regulations published after 1918 held that only combined-arms operations could create enough fire power to enable mobility on a battlefield. This theory of war also emphasized consolidation, recommending caution against overconfidence and ruthless exploitation.
As Soviet troops approached Auschwitz in January 1945, most of its population was sent west on a death march. The remaining prisoners were liberated on 27 January 1945, a day commemorated as International Holocaust Remembrance Day. In the following decades, survivors such as Primo Levi, Viktor Frankl, and Elie Wiesel wrote memoirs of their experiences in Auschwitz, and the camp became a dominant symbol of the Holocaust. In 1947 Poland founded the Auschwitz-Birkenau Memorial and Museum on the site of Auschwitz I and II, and in 1979 it was named a World Heritage Site by UNESCO.
Blitzkrieg's immediate development began with Germany's defeat in the First World War. Shortly after the war, the new Reichswehr created committees of veteran officers to evaluate 57 issues of the war. The reports of these committees formed doctrinal and training publications which were the standards in the Second World War. The Reichswehr was influenced by its analysis of pre-war German military thought, in particular its infiltration tactics of the war, and the maneuver warfare which dominated the Eastern Front.
This is not a pleasant site, not one that will distract from the pressures of everyday existence. But Birkenau, the largest and most lethal of the Auschwitz camps, is as much a part of the world as any aspiration for freedom and peace. In this sense, the authors and publishers of this exhibition feel we need to constantly explore this place and the ideas that created it, in the hope that eventually we will understand why people do such terrible things to other human beings, and why some were able, despite the tremendous role luck played, to find the strength to survive it. The search for this kind of meaning has, as paradoxical as it may sound, enriched our lives.
"The persecution of Jews in occupied Poland meant that we could see horror emerging gradually in many ways. In 1939, they were forced to wear Jewish stars, and people were herded and shut up into ghettos. Then, in the years '41 and '42 there was plenty of public evidence of pure sadism. With people behaving like pigs, I felt the Jews were being destroyed. I had to help them. There was no choice."
Near the end of the movie Schindler’s List, a famous scene depicts Oskar Schindler departing his factory at the end of the war and crying without consolation over his inability to save even more lives. (The scene was even parodied in an episode of Seinfeld.) “The idea that Oskar collapsed sobbing into Itzhak Stern’s arms and bemoaned his failure to save more Jews is preposterous,” writes Crowe. “Oskar was proud of all he had done to save Brunnlitz’s Jews and said so in his speech earlier that evening.”
Though Spielberg is already an extremely wealthy man as a result of the many big-budget movies that have made him one of Hollywood’s most successful directors, he decided that a story as important as Schindler’s List shouldn’t be made with an eye toward financial reward. The director relinquished his salary for the movie and any proceeds he would stand to make in perpetuity, calling any such personal gains “blood money.” Instead, Spielberg used the film’s profits to found the USC Shoah Foundation, which was established in 1994 to honor and remember the survivors of the Holocaust by collecting personal recollections and audio visual interviews.
Heinz Guderian is widely regarded as being highly influential in developing the military methods of warfare used by Germany's tank men at the start of the Second World War. This style of warfare brought manoeuvre back to the fore, and placed an emphasis on the offensive. This style, along with the shockingly rapid collapse in the armies that opposed it, came to be branded as blitzkrieg warfare.